Zeina Nahas works with a foundation in interior design, a discipline that informs her attention to form, proportion, and atmosphere. What began as a private mode of making—an intuitive way of processing and releasing—gradually became a practice centered on building a world through objects.

Her work is framed by two parallel bodies: Fragments and Fleshless Form.

Fragments engages the tactile and the grounded: clay, weight, and the quiet evidence of touch.
Fleshless Form occupies a more liminal register: the transitional, the moment where presence begins to shift.

Together, they reflect the dualities that shape her process—material and immaterial, structure and drift, the seen and the sensed.